[ Vocal-symphonic works of S.V. Rachmaninof and the Russian cantata in the early 20th century ] Москва: Izd-vo Politekhn. un-ta, 2009 Язык: Русский
Цена: $ 22.00
This books deals with the genre of Russian cantata at its peak in the early 20th century. The central figure in this genre was Sergey Rakhmaninov. The author compares his works in this genre with works of other composers, as well as reviews related to his genre poetical and philosophical works.
[ Cinema and poetry ] Санкт Петербург: Россиискии Институт Истории Искусств, 1994 Язык: Русский
Цена: $ 9.00
This book studies interaction between poetry and cinema: dramatization and retranslation of poetry in film, the function of poetical quotations, reflection of the poetical artistic world by means of cinema.
This monograph, in two books, studies one of the brightest phenomena of the pre-Petrine epoch - celebratory court poetry of the end of 17th century. This work is based on manuscripts from the Russian archives.
William Shakespeare`s sonnets have been translated by many Russian poets. I. Os`kin, a poet and translator, collected these translations. The book includes a bibliography of sonnet translations by 24 Russian poets, including the author himself.
Nikolai Nedobrovo (1882-1919), a poet and critic of the Silver Age, was a member of the literary movement called Acmeism, originally Adamism. Nedobrovo influenced Akhamatova as a poet, according to her own testimony.
Prince A.D. Kantemir (Cantemir, 1708-1744) was one of the founders of Russian Classicism in the genre of poetic satire. This book is arranged as a kaleidoscope. It has two ideas: the world of Kantemir`s satire (mir satir Kantemira) and satires of Kantemir in the world (satity Kantemira v mire).
[ Budetlianin ] ??????: ????? ??????? ????????, 2000 Язык: Русский
Цена: $ 45.00
This is a monograph about the Russian poet Velemir (Viktor Vladimirovich) Khlebnikov (1885-1922). Khlebnikov is one of the most difficult poets to understand, but he influenced many Russian poets including O.
The book has an additional subtitle: Pervaia i Vtoraia Volna (The First and the Second Waves). This means that the anthology includes works of Russian poets who emigrated in one of two periods: 1919-1925 or 1941-1945.
This is a collection of literary criticism by Vol`fgang Kavel`makher (1933-2004), an authoritative specialist in architectural restoration and the history of Old Russian architecture. His essays analyze poems by K.
Petr Rudnev (d.1996) was a well known Russian historian of poetry. This is a collection of memoirs about him and works of his colleagues and pupils: Iu. Lotman, James Bailey, M. Gasparov, etc. Bibliography of Rudnev`s works.
Код: 008665-1 Сергеева-Клятис, А.Ю Русский Ампир и Поэзия Константина Батюшкова Chast` 1 [ Russian Empire Style and Poetry of Konstantin Batushkov: Part 1 ] Москва: Московский Культурологический Лицей, 2001 Язык: Русский
Цена: $ 15.00
This monograph deals with Russian Empire style as a special phenomenon of Russian culture of the first quarter of the nineteenth century. The author intently examines the architecture, painting and everyday life of that period and also the behavior of Emperor Alexander the First whose rule coincided with the flourishing of Russian empire style.
Код: 002079-1 Gik, A.V Конкорданс к Стихотворениям М. Кузмина Tom 1: A - I [ Concordance to the poetry of M. Kuzmin : Volume one: A - I ] Москва: Iazyki Slavianskoi Kul`tury, 2005 Язык: English and Russian
Цена: $ 37.00
This is the first volume of the first concordance to the poetry of the well known Russian poet of the Silver Age, Mikhail Kuzmin (1875-1936). The concordance is an alphabetical index of all the words in the corpus of his texts, showing every contextual occurrence of a word.
[ The picture of the world in the lyrics of G. Ivanov and archbishop Ioann (Shakhovskii) ] Москва: МАКС Пресс, 2010 Язык: Русский
Цена: $ 19.00
This monograph compares the paradigm (kartina mira) of the poetry of Georgii Ivanov (1894-1958) with the paradigm of lyrics by archbishop Ioann (Shakhovskii, 1902-1989). The author studies the works of both poets on a background of the cultural context.
Konstantin Vaginov (Vagengeim, 1899-1934), poet and writer, started his literary life in Gumilev’s "Tsekh Poetov", then in the group "Ostrovitiane", several other poetic groups, and finally joined Mikhail Bakhtin`s circle.
These papers of the Slavic international conference (1995) are divided into several chapters: new developments in the traditional theory of poetry, poetry and grammar, poetry and phonetics, poetry and composition, semantics of poetry, folk poetry, comparative prosody, and modern methods of studies.
This is a collection of papers of the ninth international conference on Slavic poetry and its structure . The first volume was published in 1996 (also available). The collection covers: metrics and rhythmics, rhythm, syntax, style, lexics, semantic, phonetics, rhyme, strophics, quantitative methods in modern theory of verse.
[ Russian elegy of the post-Pushkin period: Essays on typology and history ] Москва: Iazyki slavianskoi kul`tury, 2013 Язык: Русский
Цена: $ 29.00
The perception of poetry in the last two century has swung to and fro between two understandings: the "lyrical poem" or the unique and personal text. This monograph offers a middle decision – the genre of elegy - which contrary to common opinion did not die, but rather actively developed in this period.
Sergei Esenin (1895-1925) is one of the most popular Russian poets. This collection of 16 articles presented at the fourteenth Esenin readings in September 1992 contains new documents and facts about the poet and his literary associates (N.
The fourth volume of New About Esenin focuses on publishing and philological aspects of Esenin`s works: Esenin`s archeography, history of business relation between the poet and his publishers; influence of WWI on his works; chronology and addresses of the St.
This book deals with old Russian manuscripts of lyrics of non-liturgical content with well-defined rhythmic structure. This is a collection of so called "pokaiannye stikhi", the earliest form of Russian lyrics, as well as the description of the manuscripts and texts.
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